Sometimes you just get stuck. For whatever reasons we have a hard time doing things we know need to get done. That was the case when it came to updating my website. My site was built back in 06 and looked like it was even older. The look was cluttered and was hard to navigate. I knew it needed updating but the task seemed insurmountable so it just kept getting kicked down the road.
About a year ago Janet & I bought RapidWeaver a WYSIWYG software that’s pretty affordable compared to the Adobe CC monthly subscription commitment. Jan built her site and it came out great, but for some reason I had the impression that it was hard and confusing so I made excuses to not use it. Finally, about a month ago I started playing around with it just to see how it worked. It couldn’t have been easier. There are a lot of third party add-ons you can get but my site was finished using a third party theme but nothing else.
It did take me a while to finish the new site but a lot of it was spent preparing content. Once all content is prepared assembling the site itself was a breeze. I fell behind on the Ninja Bunny webcomic but ended up finally creating the YouTube channel I’d been putting off making and along with the motion comic you see here. Man, feels good to be un-stuck!
Yesterday I registered for this year’s Motor City Comicon in Novi, MI. Didn’t make the 2015 show because of farting around on my part thinking there was plenty of time then I looked up and it was sold out. That’s a good show and it’s getting better. People tell me it was packed last year. Since this is likely our last year in the Midwest, we decided one last MCCC was a good idea. It will also be the only con we plan on doing this year.
Last year’s con season left a bad taste in my mouth. The Chicago Wizard show was a big letdown not just financially but it seemed to portend a bleak outlook for cons in general. At the 2015 show we had the best table we’d ever had in all the years of being in artist’s alley. We were surrounded by talented creators, the famous and the not yet famous, in the front, against the wall. We ended up not covering table costs for the first time in three years and it wasn’t just us. I talked to several other artists and vendors and they said the same thing.
This is my theory. First of all it just plain costs too much. If $75 just get’s you in the door for one day and that’s it? There’s not much left to spend so you have to be very discerning when it comes to your purchases. I can’t tell you how many times I watched parents dragging their kids quickly in another direction as soon as they looked at our booth.
So I’m feeling kinda bummed about the whole idea of working conventions as a form of self promotion. On one hand you have the big corporate beast squeezing the life out of the small creator and the fan, on the other there are heavily curated shows that decide who gets a table and who does not. Then I saw this.
They only have 20 days left and they’re a long way off but if everybody who bitches about Wizard gives 5 or 10 bucks they could make it happen. I gave what I could and I really hope they’re successful. The best part for us is that the 2015 show was in Salem, Oregon. Where we’re planning to move. Looking forward to doing that one.